Industrial metal icon **Till Lindemann**—best known as the commanding voice and provocative lyricist behind German giants **Rammstein**—has just unveiled details of his highly anticipated solo album, titled ***“Meine Welt”*** (“My World”). Set for release on **October 24, 2025**, the album marks a powerful new chapter in Lindemann’s evolving artistic journey. Known for his poetic rage, theatrical performances, and fearless approach to controversial topics, this record promises to be his most intimate and audacious work yet.
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### **A Personal and Uncompromising Statement**
*“Meine Welt”* is more than just a title. According to Lindemann, this album is **his most autobiographical project to date**, offering a raw, unfiltered look into his psyche, memories, desires, and worldview. In an official press statement, he described the album as:
> “A scream, a whisper, a confession. This is the world I see, the world I survive in, and the world I refuse to surrender to.”
Produced in collaboration with Swedish multi-instrumentalist and producer **Peter Tägtgren**—his longtime partner in the *Lindemann* project—the album blends **heavy industrial sounds, haunting ballads, and dark cabaret influences**. Lyrically, it walks the line between deeply poetic and unflinchingly brutal, touching on themes such as war, loneliness, lust, aging, and the chaos of modern life.
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### **Tracklist (Officially Revealed):**
1. **Kalter Himmel (Cold Sky)**
2. **Meine Welt (My World)**
3. **Fleisch und Feder (Flesh and Feather)**
4. **Stiller Schrei (Silent Scream)**
5. **Junge im Spiegel (Boy in the Mirror)**
6. **Exil**
7. **Tanzen mit Dämonen (Dancing with Demons)**
8. **Bittermond (Bitter Moon)**
9. **Zug nach Nirgendwo (Train to Nowhere)**
10. **Applaus für den Teufel (Applause for the Devil)**
The album includes a bonus deluxe version with orchestral renditions of selected tracks and a spoken-word piece titled *“Das Letzte Gedicht”* (“The Final Poem”), recited by Lindemann himself.
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### **Lead Single: “Fleisch und Feder”**
To coincide with the album announcement, Lindemann dropped the lead single **“Fleisch und Feder,”** a slow-burning, emotionally devastating track that combines atmospheric synths, distorted guitar riffs, and mournful strings. The song dives into the contradiction of being human—both fragile and violent, soft and ruthless.
In the official music video, directed by **Zoran Bihać**, Lindemann portrays a tormented puppet master lost in his own theater of broken dolls and fading memories. The visuals have already stirred strong reactions on social media, with fans praising the video’s “art house brutality” and symbolic storytelling.
The single has stormed the German rock charts and already amassed millions of views within the first 48 hours of its release.
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### **Themes and Sound**
According to insiders who’ve had early access to the album, *“Meine Welt”* **pushes boundaries both musically and thematically**. While some songs echo the pounding aggression fans expect, others veer into piano-driven melancholy and experimental vocal layering.
There’s a clear throughline of existential despair, but also moments of dark humor and surreal beauty. Lindemann has always excelled at blurring the lines between high art and grotesque provocation, and *“Meine Welt”* is no exception.
Lyrically, he draws on everything from German folklore to modern politics, filtered through his trademark style of **rhymed brutality and twisted romanticism**. The result is a record that’s not just meant to be heard—but to be experienced.
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### **2025 Live Performance Plans**
In a major bonus for fans, Till Lindemann also announced that he will **return to the stage in 2025** with a unique series of live performances under the banner *“Meine Welt – Live Rituals.”* Rather than a traditional tour, Lindemann plans to **stage a series of limited theatrical concert experiences** in select cities across Europe and Russia, with a few dates expected in North and South America.
These performances will feature custom visual installations, stage theatrics, and handpicked venues—including historic opera houses, abandoned factories, and intimate theatres—to enhance the immersive quality of the experience.
The first announced dates include:
* **Jan 15, 2025 – Berlin, Germany – Admiralspalast**
* **Jan 22, 2025 – Prague, Czech Republic – Forum Karlín**
* **Feb 3, 2025 – St. Petersburg, Russia – Ice Palace Theatre**
* **Feb 10, 2025 – Paris, France – Théâtre du Châtelet**
* **Feb 20, 2025 – Milan, Italy – Teatro degli Arcimboldi**
Ticket pre-sales are expected to begin **September 1, 2025**, with limited edition VIP packages that include meet-and-greets, signed vinyl, and exclusive behind-the-scenes content.
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### **Artist’s Evolution**
*“Meine Welt”* comes at a pivotal time in Lindemann’s career. Having spent over two decades dominating stadiums with Rammstein, he has increasingly turned his attention to **solo expression**, poetry books, art exhibitions, and film. His 2023 poetry collection, *“Ich hasse Kinder nicht”* (“I Don’t Hate Children”), received praise for its stark honesty and literary ambition.
This new album appears to continue that journey into personal artistry, but on a grander, more operatic scale.
In a recent interview with *Rolling Stone Germany*, Lindemann noted:
> “I am not interested in doing what is safe or what people expect. If I can’t shock, surprise, or move myself, why should I ask that of anyone else?”
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### **Fan and Media Buzz**
As expected, the announcement has sent shockwaves through both fan communities and the music press. Hashtags like **#MeineWelt**, **#LindemannReturns**, and **#FleischUndFeder** quickly trended on Twitter (X) and TikTok, with fans dissecting the symbolism of the single’s video and speculating on possible themes in the upcoming songs.
**Metal Hammer**, **Revolver**, and **Kerrang!** have already labeled the record “one of the most anticipated albums of the year.” Early preview articles suggest that this might be **Lindemann’s most personal—and controversial—work yet.**
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### **What’s Next?**
Lindemann has confirmed that *“Meine Welt”* will also be accompanied by a **limited-edition hardcover lyric and art book**, which includes never-before-seen sketches, photos from the recording sessions, and commentary on each track.
A **documentary film**, currently in post-production, follows the making of the album and the construction of the live show, and is expected to premiere at the **Berlin International Film Festival (Berlinale) in early 2026**.
Additionally, Lindemann has hinted at a **collaborative multimedia project** involving a short film or stage adaptation based on the album’s central themes—blurring the boundaries between live music, theater, and avant-garde cinema.
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### **Final Thoughts**
With *“Meine Welt”*, Till Lindemann isn’t merely releasing music—he’s opening a window into his soul. The album is poised to be one of the most **visually, lyrically, and emotionally compelling solo releases of the decade**, reaffirming his place not just as a provocateur, but as a singular voice in contemporary art and music.
**October 24, 2025** is set to be more than an album drop—it’s the arrival of a deeply personal world, forged in sound, shadow, and fire.
Would you like a tour poster design or digital cover art mockup for *“Meine Welt”?*
